Full Description
The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images. The New Soundtrack also encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound. The journal has an illustrious Editorial Board containing some of the most prominent people working with sound in the arts and media and the discourse which surrounds it.
Contents
Table of contentsEditorialArticlesSonarchy in the UK: is sound design a rebellious teenager?Andy FarnellSound design: an applied, experimental framework to study the perception of everyday soundsPatrick Susini, Olivier Houix and Nicolas MisdariisOrganic and free range sound designNeil HillmanHuman performance of computational sound models for immersive environments Christian Heinrichs, Andrew McPherson and Andy FarnellSounding objects in EuropeDavide RocchessoClosing the loop of sonifi cation and electroacoustic music practices through gesture and embodied interactionPietro PolottiSonic hyperrealism: illusions of a non-existent aural realityVytis Puronas
