Crime and Racial Constructions : Cultural Misinformation about African Americans in Media and Academia

個数:

Crime and Racial Constructions : Cultural Misinformation about African Americans in Media and Academia

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 344 p.
  • 言語 ENG
  • 商品コード 9780739125915
  • DDC分類 305.896073

Full Description

Crime and Racial Constructions: Cultural Misinformation about African Americans in Media and Academia focuses on how film images of dangerous, hedonistic blacks have assumed greater significance since blacks protested racial injustice during the Civil Rights Movement and the Black Power Movement of the 1960s and 1970s. It does so by reviewing a number of films that have been released from the 1970s until the present in which black males are depicted as violent and threatening. It likewise considers how these same films represent black females as prostitutes; drug addicts; and irresponsible, abusive mothers who spawn violence in their children. Because these on-screen images of a violent, apolitical, and immoral black underclass find their way into the criminological literature, the book also takes a look at how criminologists use these images to link crime to underclass culture. Both Hollywood and criminologists alike manage to ignore how black activism during the 1960s social movements actually sparked black opposition to the kind of black-on-black crime that is routinely depicted on-screen. By taking a critical look at these negative images, Crime and Racial Constructions seeks to correct some of the distortions that arise from the undue academic and cinematic focus on black criminals at the expense of racially conscious blacks.

Contents

Chapter 1 Introduction: Crime and Racial Constructions Part 2 Section I: Images of Black Male Criminality in Media and the Social Sciences Chapter 3 Chapter 1 - Black Images in the Post-Civil Rights Era Chapter 4 Chapter 2 - Hollywood and Black Protest: The Rise of Ghetto Action Movies Chapter 5 Chapter 3 - Black Violence, White Violence: Cinematic Images of the Urban Underclass Chapter 6 Chapter 4 - Making Race Matter: How Criminologists Look at African-Americans and Violence Chapter 7 Chapter 5 - Americanizing Black Violence: Making Criminology Race-Free Part 8 Section II: Cinematic and Academic Images of Black Female Criminals and Victims Chapter 9 Chapter 6 - Black Women on the Silver Screen Chapter 10 Chapter 7 - Black Women, Violence and Masculinization Chapter 11 Chapter 8 - Comforting Fictions: Black Women, Hollywood and Color-Blind Racism

最近チェックした商品