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Full Description
Mary Kelly, we are told, was not a feminist artist, but a feminist who made art. Designed to accompany a major retrospective at the Whitworth Art Gallery, this book contains essays and interviews which show the implications of that distinction and also the legacy of feminists and feminism in relation to art. Challenging and beautiful, Kelly's artworks address questions of sexuality, identity and historical memory in the form of large-scale narrative installations. The works are agilely discussed in contributions by some of the luminary feminist art scholars of our time, including Janet Wolff, Laura Mulvey, Carol Mavor and Amelia Jones, making this collection an essential new text in the discourse on art, feminism, psychoanalysis and representation. -- .
Contents
Approaching Mary KellyIconoclasm, beauty, politics: Mary Kelly's return to Britain1 Plates - Post-Partum Document- Interim- Gloria Patri- The Ballad of Kastriot Rexhepi- Circa 1968- Vox Manet- Love Songs- Habitus2 EssaysPost-Partum Document: an introductionReigning women's voices: listening to Mary Kelly's CorpusMary Kelly: an aesthetic of temporality3 Interviews'No right to speak without les enquetes'The 'dispersed body of desire'Artists notebooksExhibited worksChronologyBibliographyBiographies Index -- .
