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基本説明
New in paperback. Hardcover was published in 2006. This new introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt.
Full Description
An illuminating new introduction to Alain Resnais's work, extending from his earliest documentaries to the musical films of the last decade Traces the evolving patterns of Resnais's filmmaking, and its changing reflections on mortality, guilt, chance and human doubt Sets Resnais's films in the context of important current debates in film theory Provides a concise account of critical discussions of his work in France and beyond Offers a highly personal and detailed engagement with individual images and scenes in Resnais's films
Contents
Acknowledgements; Illustrations; Introduction; 1. Documentaries 1948-1958; 2. Hiroshima mon amour (1959); 3. L'Annee derniere a Marienbad (1961); 4. Muriel ou le temps d'un retour (1963); 5. La Guerre est finie (1966), Je t'aime je t'aime (1968), Stavisky (1974); 6. Providence (1977); 7. Mon oncle d'Amerique (1980), La vie est un roman (1983), L'Amour a mort (1984), Melo (1986), I Want to Go Home (1989); 8. Smoking/No Smoking (1993), On Connait la chanson (1997), Pas sur la bouche (2003); Filmography; Select Bibliography.
