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基本説明
New in paperback. Hardcover was published in 2005. This is the first book in a Western language to provide an overview of how Buddhism and Shintõ interacted in Japanese culture.
Full Description
Richard Bowring describes in outline the development of Japanese religious thought and practice from the introduction of writing to the point at which medieval attitudes gave way to a distinctive pre-modern culture, a change that brought an end to the dominance of religious institutions. A wide range of approaches using the resources of art, history, social and intellectual history, as well as doctrine is brought to bear on the subject. The result is as full a picture as possible of the richness of the Japanese tradition as it succeeded in holding together on the one hand Buddhism, with its sophisticated intellectual structures, and on the other hand the disparate local cults that eventually achieved a kind of unity under the rubric of Shintō. An understanding of this process of constant and at times difficult interaction is essential to a deeper appreciation of Japan's history and its cultural achievements.
Contents
Introduction; Part I. The Arrival of Buddhism and Its Effects (c.538-800): 1. The introduction of Buddhism; 2. Creating a dynasty; 3. Buddhism and the early state; 4. Monuments at Nara; Part II. From Saichō to the Destruction of Tōdaiji (800-1180): 5. The beginnings of a 'Japanese' Buddhism: Tendai; 6. The beginnings of a 'Japanese' Buddhism: Shingon; 7. Buddhism and the state in Heian Japan; 8. Shrine and state in Heian Japan; 9. The rise of devotionalism; 10. A time for strife; Part III. From the Destruction of Tōdaiji to the Fall of Godaigo (1180-1330): 11. For and against exclusive practice of the nenbutsu; 12. Religious culture of the early 'middle ages'; 13. Chan Buddhism; 14. Zen Buddhism; 15. Reform from within and without; 16. The emergence of Shintō; 17. Taking stock; Part IV. From the Fall of Godaigo to the Death of Nobunaga (1330-1582): 18. Two rival courts; 19. Muromachi Zen; 20. The end of the medieval; 21. Appendix: reading Shingon's two mandala.