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Full Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Topics covered in NTQ 49 include: Lmma Lyon, the 'Attitude', and Goethean Performance Theory; Good Nights Out: Finding and Activating the Audience with 7:84 (England); Behind the Arras, through the Wall: Hamlet in Krakow, 1989; Harrison, Herakles, and Wailing Women; Myths and Enabling Fictions of Origin in the Editing of Shakespeare.
Contents
1. Emma Lyon, the 'attitude', and Goethean performance theory Volker Schachenmayr; 2. Disputing the canon of American dramatic 'literature' Ronald Tavel; 3. Good nights out: activating the audience with 7.84 (England) Nadine Holdsworth; 4. Myths and enabling fictions of 'origin' in the editing of Shakespeare Gabriel Egan; 5. Shakespeare, feminism, and voice: responses to Sarah Werner Cicely Berry, Patsy Rodenberg and Kristin Linklater; 6. Behind the arras, through the wall: Wadja's Hamlet in Krakow, 1989 Tony Howard; 7. Bernard-Marie Koltès: chronology, contexts, connections David Bradby; NTQ book reviews.