基本説明
New in paperback. Hardcover was published in 1999.
Full Description
This book is the first major publication devoted to the music of Janácek, now widely regarded as one of the most important composers of the early twentieth century. The essays, all by leading scholars, deal with a broad range of subjects relating to opera, symphonic poem, instrumental music, cultural context and reception. Some topics, such as the sources of Janácek's musical expressivity, questions of narrative, Janácek as musical analyst and Janácek as realist, are considered seriously for the first time, whilst other more conventional topics, such as 'speech melody' and Janácek's ethnographic activities, are reappraised. A transcription of Janácek's analytical study of 'Jeux de vagues' from Debussy's La mer is published for the first time, and this document is considered in the light of Janácek's theory of music as a whole and of the reception of La mer.
Contents
Preface; 1. Expressive sources and resources in Janácek's musical language Robin Holloway; 2. 'Nothing but pranks and puns': Janácek's solo piano music Thomas Adès; 3. Narrative in Janácek's symphonic poems Hugh Macdonald; 4. Evasive realism: narrative construction in Dostoyevsky's and Janácek's From the House of the Dead Geoffrey Chew and Robert Vilain; 5. Direct discourse and speech melody in Janácek's operas Milos Stedron; 6. Kundera's eternal present and Janácek's ancient Gypsy Michael Beckerman; 7. Janácek's folk settings and the Vixen Zdenek Skoumal; 8. Janácek's operas in Australia and New Zealand: a performance history Adrienne Simpson; 9. Janácek's Moravian publishers Nigel Simeone; 10. Janácek, musical analysis, and Debussy's 'Jeux de vagues' Paul Wingfield; Index.
