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Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of "(inter)(in)animation" generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Maryam Mohajer, Ibrahim Nasrallah, and Mary Reid Kelley and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.
Contents
Contents
Acknowledgments
Introduction
1. (Inter)(in)animating the Archive
2. Rubbing Memory the Right Way: Whiteness, (Inter)(in)animation, and Monumental Frottage
3. (Inter)(in)animated Loops and the Feminist Politics of Return
4. (Inter)(in)animation in Exile
5. Unnatural Disasters: Unfinishable (Inter)(in)animation
6. (Inter)(in)animating the Museum: Architecture, Place, Memory
Notes
Bibliography
Illustration Credits
Index
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