２０世紀文学における旅行と薬物 Travel and Drugs in Twentieth-Century Literature (Routledge Studies in Twentieth-century Literature)

２０世紀文学における旅行と薬物<br>Travel and Drugs in Twentieth-Century Literature (Routledge Studies in Twentieth-century Literature)

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２０世紀文学における旅行と薬物
Travel and Drugs in Twentieth-Century Literature (Routledge Studies in Twentieth-century Literature)

Banco, Lindsey Michael

ウェブストア価格 ¥41,395（本体¥37,632）
Routledge（2009/09発売）
外貨定価 US$ 200.00
ポイント 376pt

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製本 Hardcover:ハードカバー版／ページ数 198 p.
言語 ENG
商品コード 9780415998611
DDC分類 820.9320904

Full Description

This book examines the connections between two disparate yet persistently bound thematics -- mobility and intoxication -- and explores their central yet frequently misunderstood role in constructing subjectivity following the 1960s. Emerging from profound mid-twentieth-century changes in how drugs and travel were imagined, the conceptual nexus discussed sheds new light on British and North American responses to sixties counterculture. With readings of Aldous Huxley, William Burroughs, Alex Garland, Hunter S. Thompson, and Robert Sedlack, Banco traces twin arguments, looking at the ways travel is imagined as a disciplinary force acting upon the creative, destabilizing powers of psychedelic intoxication; and exploring the ways drugs help construct travel spaces and practices as, at times, revolutionary, and at other times, neo-colonial. By following a sequence of shifting understandings of drug and travel orthodoxies, this book traverses fraught and irresistibly linked terrains from the late 1950s up to a period marked by international, postmodern tourism. As such, it helps illuminate a world where tourism is continually expanding yet constantly circumscribed, and where illegal drugs are both increasingly unregulated in the global economy and perceived more and more as crucial agents in the construction of human subjectivity.

Acknowledgments Introduction Part I: Set and Setting 1: "Causing Frameworks to Shift": Theorizing Tripping 2: Starting Selves: Aldous Huxley and William S. Burroughs Part II: Drugs and the Disciplinary Power of Utopian Travel 3: The Permeable Self and the Horrors of Consumption: Aldous Huxley's Island 4: What's He Smoking?: Cannabis and Cigarettes in Alex Garland's The Beach Part III: Drugs and the Revisions of Anti-Tourism 5: "Man, This Is the Way to Travel": Seeing Vegas Anew in Hunter S. Thompson's Fear and Loathing in Las Vegas 6: Eating In Africa: Becoming-Animal in Robert Sedlack's The African Safari Papers Conclusion Notes Bibliography Index