Teenage Nervous Breakdown

個数:
電子版価格
¥3,944
  • 電子版あり

Teenage Nervous Breakdown

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 246 p.
  • 言語 ENG
  • 商品コード 9780415978576
  • DDC分類 306.48420973

基本説明

Examines how rock and the rock lifestyle have been merchandised first to a teenage audience and eventually to a worldwide consumer society.

Full Description

Teenage Nervous Breakdown: Music and Politics in thePost-Elvis Era combines music and cultural history and criticism to examine how rock and the rock lifestyle have been merchandised first to a teenage audience and eventually to a worldwide consumer society. Well-known, iconoclastic writer/ critic David Walley examines the entire rock culture and how it has infused all aspects of American (and world) life, from entertainment to politics to academic education. In a series of what he describes as "word-jazz rock and roll improvisations and variations," Walley examines how adult culture has been "adolescent-ized" and what the ramifications are on our society.
Walley is not an uninvolved observer-his personal story and opinions are right up front, where they belong. Famous for being the first writer to recognize the commercial genius of Frank Zappa (in the landmark book, No Commercial Potential, first published in 1972 and still in print today), Walley is ideally suited to examine how commercialism has invaded rock music, and in turn how this commercialism has invaded rock music, and in turn how this commercial stepchild of rock has become a culture unto itself. He tackles everything from the elevation of youth culture to the mainstream; the fast-food economy; the commercial hijack of the counterculture movement; the "cool" aesthetic; the marketing of politicians; psychotropic drugs from LSD to Prozac; and much, much more. Along the way, he touches on a diverse range of figures. From Ma Rainey to Elvis, from Béla Bartók to Batman; from Timothy Leary to Rush Limbaugh; from The Man From U.N.C.L.E. to UnderstandingMedia.

Contents

Preface to the first Edition, Preface to the Second Edition 1 This, Here, Soon 2 Who Stole the Bomp (from the Bomp Sha Bomp)? 3 BIame It on the Sixties 4 Boxers or Briefs? Music Politics in the Post-EIvis Aqe 5 Play School: You Can Dress for 11, but You Can't Escape It 6 The Twinkie Defense 7 Breakdown Bad Day at Internet 8 ASRin‾ Alice: Fightin‾ for the Right to Party 9 Don't Touch Me There: Whatever Happened to Foreplay? 10 White Punks on Dope: Why CamilIe PagIia 15 Academe's Answer to Betty Page

最近チェックした商品