基本説明
Presents a formidable range of theoretical viewpoints and approaches, applied to a broad and fascinating variety of case studies, from reality television to the BBC World Service, from blogging to control of copyright.
Full Description
Media studies needs richer and livelier intellectual resources. This book brings together major and emerging international media analysts to consider key processes of media change, using a number of critical perspectives. Case studies range from reality television to professional journalism, from blogging to control of copyright, from social networking sites to indigenous media, in Europe, North America, Asia and elsewhere. Among the theoretical approaches and issues addressed are:
critical realism
post-structuralist approaches to media and culture
Pierre Bourdieu and field theory
public sphere theory - including post-Habermasian versions
actor network theory
Marxist and post-Marxist theories, including contemporary critical theory
theories of democracy, antagonism and difference.
This volume is essential reading for undergraduate and postgraduate students and researchers of cultural studies, media studies and social theory.
Contents
1. Why Media Studies Needs Better Social Theory Part 1: Power and Democracy 2. Media and the Paradoxes of Pluralism 3. Neoliberalism, Social Movements, and Change in Media Systems in the Late Twentieth Century 4. Recognition and the Renewal of Ideology Critique 5. Cosmopolitan Temptations, Communicative Spaces and the European Union Part 2: Spatial Inequalities 6. Neoliberalism, Imperialism and the Media 7. One Letter, Two Presidents and a Global Audience: The Shifting Spatialities of Contemporary Communication 8. Rethinking the Digital Age 9. Media and Mobility in a Transnational World Part 3: Spectacle and the Self 10. Form and Power in an Age of Continuous Spectacle 11. Spectacular Morality: Reality Television, Individualisation and the Remaking of the Working Class 12. Variations on the Branded Self: Theme, Invention, Improvisation and Inventory Part 4: Media Labour and Production 13. Step Away from the Croissant: Media Studies 3.0 14. Sex and Drugs and Bait and Switch: Rockumentary and the New Model Worker 15. Journalism: Expertise, Authority and Power in Democratic Life 16. Media Making and Social Reality
