サイレント映画読本<br>The Silent Cinema Reader

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サイレント映画読本
The Silent Cinema Reader

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  • 製本 Hardcover:ハードカバー版/ページ数 400 p.
  • 言語 ENG
  • 商品コード 9780415252836
  • DDC分類 791.4309

基本説明

A comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences.

Full Description


The Silent Cinema Reader is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences, from the beginnings of film in the late nineteenth century to the coming of sound in the late 1920s. The Reader covers international developments in film aesthetics, the growth of the American film industry and its relationship with foreign competitors at home and abroad, and the broader cultural, social and political contexts of film production and consumption in the United States as well as Britain, France, Russia and Germany. The Reader includes in-depth case studies of major directors and stars of the silent era, including Cecil B. DeMille, Eisenstein, D. W. Griffith, Buster Keaton, Charlie Chaplin and Rudolph Valentino.Articles are grouped into thematic sections, each with an introduction by the editors, which focus on:* Film projection and variety shows* Storytelling and the nickelodeon* Cinema and reform* Feature films and cinema programmes* Classical Hollywood cinema* European national cinemas

Table of Contents

List of illustrations                              ix
Notes on contributors xi
Acknowledgements xv
Lee Grieveson and Peter Kramer
INTRODUCTION 1 (10)
PROLOGUE
INTRODUCTION 11 (20)
1 Charles Musser
AT THE BEGINNING: MOTION PICTURE 15 (16)
PRODUCTION, REPRESENTATION AND IDEOLOGY
AT THE EDISON AND LUMIネRE COMPANIES
PART I Film projection and variety shows
INTRODUCTION 31 (10)
2 Tom Gunning
"NOW YOU SEE IT, NOW YOU DON'T": THE 41 (10)
TEMPORALITY OF THE CINEMA OF ATTRACTIONS
3 Frank Gray
THE KISS IN THE TUNNEL (1899), G.A. SMITH 51 (12)
AND THE EMERGENCE OF THE EDITED FILM IN
ENGLAND
4 Richard Abel
THE CINEMA OF ATTRACTIONS IN FRANCE, 63 (14)
1896-1904
PART II Storytelling and the nickelodeon
INTRODUCTION 77 (10)
5 Charles Mussen
MOVING TOWARDS FICTIONAL NARRATIVES: 87 (16)
STORY FILMS BECOME THE DOMINANT PRODUCT,
1903-1904
6 Richard Abel
PATHノ GOES TO TOWN: FRENCH FILMS CREATE A 103(16)
MARKET FOR THE NICKELODEON, 1903-1906
7 Ben Singer
MANHATTAN NICKELODEONS: NEW DATA ON 119(16)
AUDIENCES AND EXHIBITORS
PART III Cinema and reform
INTRODUCTION 135(10)
8 Tom Gunning
FROM THE OPIUM DEN TO THE THEATRE OF 145(10)
MORALITY: MORAL DISCOURSE AND THE FILM
PROCESS IN EARLY AMERICAN CINEMA
9 Roberta E. Pearson and William Uricchio
HOW MANY TIMES SHALL CAESAR BLEED IN 155(14)
SPORT: SHAKESPEARE AND THE CULTURAL
DEBATE ABOUT MOVING PICTURES
10 Lee Grieveson
FIGHTING FILMS: RACE, MORALITY, AND THE 169(18)
GOVERNING OF CINEMA, 1912-1915
PART IV Feature films and cinema programmes
INTRODUCTION 187(10)
11 Charles J. Maland
A STAR IS BORN: AMERICAN CULTURE AND THE 197(13)
DYNAMICS OF CHARLIE CHAPLIN'S STAR IMAGE,
1913-1916
12 Shelley Stamp
AN AWFUL STRUGGLE BETWEEN LOVE AND 210(16)
AMBITION: SERIAL HEROINES, SERIAL STARS
AND THEIR FEMALE FANS
13 Ben Brewster
TRAFFIC IN SOULS (1913): AN EXPERIMENT IN 226(16)
FEATURE-LENGTH NARRATIVE CONSTRUCTION
14 Linda Williams
RACE, MELODRAMA, AND THE BIRTH OF A 242(12)
NATION (1915)
15 Kristin Thompson
THE INTERNATIONAL EXPLORATION OF 254(17)
CINEMATIC EXPRESSIVITY
PART V Classical Hollywood cinema
INTRODUCTION 271(8)
16 Peter Kr舂er
THE MAKING OF A COMIC STAR: BUSTER KEATON 279(11)
AND THE SAPHEAD (1920)
17 Gaylyn Studiar
"THE PERFECT LOVER"?: VALENTING AND 290(15)
ETHNIC MASCULINITY IN THE 1920'S
18 sumiko Higashi
THE NEW WOMAN AND CONSUMER CULTURE: CECIL 305(13)
B. DEMILLE'S SEX COMEDIES
19 Ruth Vasey
THE OPEN DOOR: HOLLYWOOD'S PUBLIC 318(11)
RELATIONS AT HOME AND ABROAD, 1922-1928
PART VI European cinemas
INTRODUCTION 329(10)
20 Yuri Tsivian
NEW NOTES ON RUSSIAN FILM CULTURE BETWEEN 339(10)
1908 AND 1919
21 Kristin Thompson
EARLY ALTERNATIVES TO THE HOLLYWOOD MODE 349(19)
OF PRODUCTION: IMPLICATIONS FOR EUROPE'S
AVANT-GARDES
22 David Bordwell
MONUMENTAL HEROICS: FORM AND STYLE IN 368(21)
EISENSTEIN'S SILENT FILMS
23 Joseph Garncarz
ART AND INDUSTRY: GERMAN CINEMA OF THE 389(12)
1920'S
Bibliography 401(15)
Index 416