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Full Description
Jana Sanskriti is internationally recognised as the most iconic post-Boalian Theatre of the Oppressed operation in the world today.
This fully illustrated book by the Bengali company's founder and artistic director Sanjoy Ganguly, edited by Ralph Yarrow, collects and explains their programme of workshop exercises, placing them in the context of their social and activist work. A set of interviews with Ganguly complements these practical sequences, drawing in topics such as the role of the joker, the nature of development, participation and agency, aesthetics as transformation, and Theatre of the Oppressed in the context of a market economy.
Contents
Foreword Eugène van Erven
Preface Ralph Yarrow
PART 1: Workshops Sanjoy Ganguly
Developing Boal's Games into Social Metaphors
Index of Exercises
Introductory Exercises
While Walking
Feel the Protagonist
Express Emotion
Variation, Finding Oppression
Indian Parliament
Fish Society
Game of Power
Expression with Body
1
Joint Sculpture
Circles of Emotion
Sculpting in Pairs, plus Variation
2
Human Knot, plus Variation
Variations of Grandma's Footsteps
The Deer and the Tiger
Crossing the Border
Spontaneous Group Sculptures
Development of Status Game
3
Forum in a circle
Variation on Columbian Hypnosis, plus further Variation
Blind Game
Storytelling
4
Catch in the Circle
Newspaper Theatre
Points of Contact
Invisible Friend
Soundscape and Images
Characters' Stories
5
Moving as Still Image
Experiencing the Lives of Others
Glass Cobra becomes Trade Union Game
PART 2: Interviews with Sanjoy Ganguly and short essays
Interview by Robert Klement
Interview by Robyn Kirkby
Interview by Clément Poutot
Interview by Joschka Kȍck
Interview by Clément Poutot, on Vivekananda
Sanjoy Ganguly: The Political Aesthetic of Jana Sanskriti: Theatre
as an Art of Creating Connection
Coda: Sanjoy Ganguly: 'Aesthetics as Transformation'
Postscript: Sanjoy Ganguly: A critical space: Forum, Jokering and the problem of sympathy
Letters from Augusto Boal and Sanjoy Ganguly