Full Description
This book explores the nature of Britain-based artists' engagement with the transformations of their environment since the early days of the Industrial Revolution.
At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature-culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art's engagement with recording and questioning the impact of human activity on the environment.
The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
Contents
PART 1 From the Claude Glass to Drones: Framing Environmental Encounters 1 Vehicles of Truth: Portable Studios and Nineteenth-Century British Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4 An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty? A Layered History of Reappropriation and Profitability 5 "It's Grim Up North": Depicting Mutations and Shifting Perceptions of Industrial Landscapes in the North of England 6 "Our Oil": Our Waves? Environment, Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview with Adrian George PART 3 Decentering Human Vision: Art in a Shared Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner, English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13 Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
