Full Description
Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.
Contents
Introduction: a musicology of popular music and identity
KAI ARNE HANSEN, EIRIK ASKERØI, AND FREYA JARMAN
1 The British dandy on the popular musical stage (1866-1915)
DEREK B. SCOTT
2 'She Said She Said': the influence of feminine 'voices' on John Lennon's music 32
MATTHEW BANNISTER AND MEGAN ROGERSON-BERRY
3 The classical closet
SUSAN MCCLARY
4 Perfect duet? Paradoxes of gender representation and mixedgender collaborations on the Billboard charts from 1955 to 2017
BARBARA BRADBY
5 The pleasure(s) of the pop text: subversion and theatricality in Cloroform and Tove Lo
JON MIKKEL BROCH ÅLVIK
6 'Everyone is a little bit gay': LGBTIQ activism in Finnish pop music of the 21st century
SUSANNAVÄLIMÄKI
7 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream
ANNE DANIELSEN
8 Global success, identitarian performance, and Canadian popular music
WILL STRAW
9 'Very' British: a pop musicological approach to the Pet Shop Boys' 'Always on My Mind'
SHARA RAMBARRAN
10 Pulp: a paradigm for perversion in pornosonic pop
KENNETH SMITH
11 Regina Spektor's Small Bill$: the cute and the manic-zany as body-political strategies
JOHN RICHARDSON AND ANNA-ELENA PÄÄKKÖLÄ
12 Masculinity and the illness narrative in Pain of Salvation's In the Passing Light of Day
LORI BURNS
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