基本説明
Publication delayed (Originally scheduled in December 2002). Examines both how artistic processes are shaped by their social settings and the impact that social and cultural contexts have on the way in which artistic products are greeted by audiences.
Full Description
What can Sociology add to our understanding of art? This volume brings together a range of respected scholars in the field who demonstrate the many ways in which sociology can add to our understanding of artistic issues. Covering all the major schools of thought, and dealing with many different art forms, the book offers the reader a comprehensive and accessible guide to an often complex area. It will be an invaluable resource for students seeking to understand sociology's contributions to the study of artistic and aesthetic issues.
Contents
PART 1Art'?; D.Inglis and J.Hughson.- When Does Art Become Art? Assessing Pierre Bourdieu's Theory of Artistic Fields; J.Jane.- Feminist Art and Feminist Sociology: New Departures; A.Howson.- A New Paradigm for a Sociology of Aesthetics; R.Witkin.- Invisible Aesthetics and the Social Work of Community Culture; P.Willis.- Cultural Studies and the Sociology of Culture; J.Wolff.- The Sociology of Art: Cynical or Celebratory?; D. Inglis.- PART 2: FROM Sociological Perspectives on the Art of the Past; M.Hepworth.- The Rise and Fall of the Art House Movie; A.Tudor.- Opera, Modernity and Cultural Fields; A.Swingewood.- 'World Music' and the Globalisation of Sound; R.Robertson and D.Inglis.- 'High Arts' and the Market: An Uneasy Partnership in the Transnational World of Ballet; H.Wulff.- Reconstructing the Centre: Sociological Approaches to the Rebuilding of Berlin; J.Stewart.
