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Full Description
In The Way of the Digital Photographer, master photographer and digital artist Harold Davis shows you how to make digital photography an art form. Great digital photographs need both camera and computer to be truly extraordinary. Using detailed examples and case studies from his own work, Davis provides myriad ideas you can use in your own work, and he shows you how to unlock your own creativity to make those special images you have always dreamed of! Readers discover how to effectively use post-processing techniques and gain insight as to how the techniques and steps involved can inform their choices when making a photo and in postproduction workflow.
Contents
1. Introduction2. Digital Photography is Painting3. First Things First4. The Camera to Use5. JPEG versus RAW6. Photoshop Prejudices7. Seeing is About Light8. It All Starts with a Layer9. Adjustment Layers10. Working with Layer Masks11. Creating a Layer Stack12. Combining Two Exposures with a Hide All Layer Mask13.Combining Two Exposures with a Reveal All Layer Mask14. Using the Brush Tool15. Selective Sharpening16. Working with Gradients17. Using the Gradient Tool to Seamlessly Blend Two Layers18.Drawing Directly on a Layer19. Introducing Blending Modes20. Screen Blending Mode21. Using Screen for Selective Lightening22. Multiply Blending Mode23.Blending Mode Categories24. Understanding Blending Mode Categories25. Comparative Blending26. Workflow27. Do It On Your iPhone: Slow Shutter Cam28.Multi-RAW and Hand-HDR Processing29. Multi-RAW Processing30.Expand Tonal Range with Multi-RAW Processing31.Using ProPhoto RGB for the Widest Gamut32.All Roads Lead to Photoshop Using Smart33.Objects Using Lightroom34.Adjusting Exposure Selectively 35.Hand-HDR36.Shooting a Bracketed Sequence for Hand-HDR37. Tonal Range38.The Mechanics of Capture39.Understanding the Apothecary Sequence40. May the Force be with Your Florals41. Automated HDR42. Automated HDR Programs43. Do It On Your iPhone: PhotoForge44. Enhancement to Glory45. Workflow Redux46. Checkpoints47. Tripping the Light Fantastic48.Why Be Average?49. First Pair: Multiply and Screen Blending Modes50. Second Pair: Sharpening and Blurring51. Third Pair: Glamour Glow and Tonal Contrast52. A Second Helping of HDR53.Pushing the Boundaries: PixelBender54. Some other Painterly Filters55. Using LAB Inversions56. Understanding the LAB Color Model57. LAB Inversions58.Black and White59. Backgrounds & Textures60. Do It On Your iPhone: Lo-Mob and Plastic Bullet61. Resources62. Notes63.Glossary64. Index
