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#66, The 100 Greatest Film Books of All Time, The Hollywood Reporter
The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.
Pierson, a producer's representative, explains how he has helped filmmakers with no profile at the time to get their work made, sold and seen by the world, sharing stories about Lee's She's Gotta Have It, Moore's Roger & Me and Linklater's Slackers, plus Hoop Dreams, Clerks and many others. Chats with Kevin Smith serve as interstitials between chapters.
Contents
Introduction: Stranger Than Fiction
Dialogue. Leaders
A Quick and Slanted Pre-1984 History
Dialogue. Starting Point
Stranger Than Paradise and the First Golden Age
Dialogue. Paradise
Parting Glances & The New Queer Cinema
She's Gotta Have It
Tube Socks and Tube Steaks
Black and White
Birth of a Salesman
Dialogue. Be Like Spike
Working Girls and Women
Inspector Errol Morris Walks The Thin Blue Line
D.O.A.
The Dance Part 1
Deceased
Quantity Not Quality
Dialogue. Batman and Sex
1989: The Year It All Changed
Dialogue. Sex and Roger
Roger and Michael and Me
The Cinderella Syndrome
How to Make a Studio Deal
The Morning After
Dialogue. Role Models
Slacking Off
Dialogue. Straight Outta Business
The Next Soderbergh
Sundance 1990
Sundance 1991
Sundance 1992
Dialogue. Dogs
Sons of Mean Streets
Dialogue. $26,685
How Low Can a Budget Go?
Dialogue. Shannen
Amongst Jerks: Rob Weiss and the Dark Side of Overnight Success
Toll Money
Hitchcock: Who Needs Him?
Murder Ink
The Odd Couple: Sundance 1994
In Hock and Staying There
Go Fiscal: Anatomy of a Back End
A Doc In The House
Dialogue. The Clerky Boys
Epilogue: It's A Wonderful Life, July 4, 1995
Acknowledgments
Appendix I
Appendix II
Appendix III
Index
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