Full Description
Africa and France reveals how increased control over immigration has changed cultural and social production, especially in theatre, literature, film, and even museum construction. A hated of foreigners, accompanied by new forms of intolerance and racism, has crept from policy into popular expressions of ideas about the postcolony and ethnic minorities. Dominic Thomas's stimulating and insightful analyses unravel the complex cultural and political realities of longstanding mobility between Africa and Europe and question the attempt at placing strict limits on what it means to be French or European. Thomas offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness.
Contents
AcknowledgmentsIntroduction: France and the New World Order1. Museology and Globalization: The Quai Branly Museum2. Object/Subject Migration: The National Centre for the History of Immigration 3. Sarkozy's Law: National Identity and the Institutionalization of Xenophobia4. Africa, France, and Eurafrica in the Twenty-First Century5. From mirage to image: Contest(ed)ing Space in Diasporic Films (19552011)6. The "Marie NDiaye Affair," or the Coming of a Postcolonial evoluee7. The Euro-Mediterranean: Literature and Migration8. Into the European "Jungle": Migration and Grammar in the New Europe9. Documenting the Periphery: The French banlieues in Words and Film10. Decolonizing France: National Literatures, World Literature, and World IdentitiesNotesBibliographyIndex
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