Full Description
Far from being bounded by the timeframe of the 1960s, freedom song continues to evolve as a tool both of historical memory and of present activism. Stephen Stacks looks at how post-1968 freedom song helps us negotiate our present relationship to the era while at the same time sustaining the contemporary struggle inspired by it. Stacks's analysis shifts the focus of attention from genre--freedom song--to process and practice--freedom singing. As he shows, freedom singing after 1968 generates multilayered meanings. It can reinforce, or resist, consensus memories or dominant narratives. Stacks illuminates freedom singing's diversity by examining it in three contexts: performance, protest, and within documentary sound recording/film.
Insightful and vividly detailed, The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement.
Contents
Introduction: Freedom Song after 1968
Chapter 1. Memory, History, and Freedom Song
Chapter 2. From Freedom Song to Freedom Singing
Chapter 3. Bernice Johnson Reagon, Freedom Singing, and Musical Coalition Politics
Chapter 4. Warren County, Environmental Justice, and Freedom Singing in Protest
Chapter 5. Documentary Media, Freedom Singing, and the Construction of Sonic Blackness
Conclusion: Freedom Singing into the Future
Afterword
Acknowledgments
Notes
Bibliography
Index
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