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Full Description
Move over, movieswhere the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story offers rare insight and advice straight from two A-list television directors whose credits include Monk, Grey's Anatomy, Desperate Housewives, Weeds, and more. They direct dramas and comedies using the same process that Steven Spielberg (or any other movie director uses)-just with less money and time. Learn what it takes to become a director: master the technical aspects, appreciate aesthetic qualities, and practice leadership, all while exuding that "X" factor that distinguishes the excellent director from the merely good one. Covering everything from prep, the shoot, and post, the authors emphasize how aspiring directors can develop a creative vision-because without it, they are just technicians. Hands-on and practical, this book lets you not only read about the secrets of directors, it also includes exercises using original scripted material.The companion web site includes scenes from the authors' own TV shows, along with the scripts, shot lists, and other materials that made the scenes possible. Key Features * Highly experienced Hollywood directors share inside information about what it really takes to be a director, giving the advice that readers covet. * Covers everything a director needs to know: the creative vision, how to translate script into a visual story, establishing the look and feel, selecting and leading a crew, coaching actors, keeping a complex operation on time and on budget, overseeing the edit, and troubleshooting through the whole shoot. * "Insider Info" sections feature interviews, advice, and tips from film and TV luminaries whose productions include Private Practice, Monk, Brothers & Sisters, Desperate Housewives, The Informant, American Beauty, and more! * Hands-on exercises help you understand and master the craft of directing.
Contents
Introduction Section OneStory Chapter 2 - Breaking Down the Script for Character Chapter 3 - Casting Chapter 4 - Production Design Chapter 5 - Organizing the Shoot with the First Assistant Director Chapter 6 - Sharing the Vision Chapter 7 - Blocking and Shot Listing, Part One Chapter 8 - Blocking and Shot Listing, Part Two Chapter 9 - Scouting Locations Section One Review Section Two: Shoot Chapter 10 - Directing the Actor Chapter 11 - Below the Line Chapter 12 - All the Other Stuff Chapter 13 - Running the Set Section Two Review Section Three: Post Chapter 14 - Working with the Editor Chapter 15 - Working With the Post Supervisor Section Three Review Section Four: Being a Director Chapter 16 - Being a Director Chapter 17 - The Demands of the Job Chapter 18 - Getting Started Section Four Review Glossary
