オーソン・ウェルズと都市 At the End of the Street in the Shadow : Orson Welles and the City

オーソン・ウェルズと都市<br>At the End of the Street in the Shadow : Orson Welles and the City

個数：

オーソン・ウェルズと都市
At the End of the Street in the Shadow : Orson Welles and the City

Gear, Matthew Asprey

ウェブストア価格 ¥6,623（本体¥6,021）
Wallflower Press（2016/02発売）
外貨定価 US$ 32.00
ポイント 60pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 304 p.
言語 ENG
商品コード 9780231173414
DDC分類 791.430233092

Full Description

The films of Orson Welles inhabit the spaces of cities-from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities-the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr.
Arkadin (1955), and considers many projects the filmmaker never completed-an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.

Acknowledgements Introduction Prelude. A Nuisance in a Factory: Hollywood: 1939-48, 1956-58 Welles's U.S.A 1. The Decline and Fall of the Lincoln Republic 2. An Empire Upon an Empire: Citizen Kane (1941) 3. The Darkening Midland: The Magnificent Ambersons (1942) Pan-America 4. Darkness and Fear: The Early Anti-fascist Thrillers 5. The Raucous Raggle-Taggle Jamboree of the Streets: It's All True (unfinished, 1942) 6. Ratline to Main Street: The Stranger (1946) 7. Port to Port: The Lady from Shanghai (1947) 8. The Border: Touch of Evil (1958) 9. Return to the Periphery: The Other Man (unproduced, 1977) Interlude. A Free Man Is Everywhere: Europe & Beyond: 1947-55, 1958-85 Postwar Europe 10. Skies and Rubblescape: Mr. Arkadin/Confidential Report (1955) 11. Lost in a Labyrinth: The Trial (1962) Immortal Stories 12. To Adore the Impossible 13. In the Land of Don Quixote Index