行為、芸術、歴史:アーサー・C・ダントとの対話<br>Action, Art, History : Engagements with Arthur C. Danto (Columbia Themes in Philosophy)

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行為、芸術、歴史:アーサー・C・ダントとの対話
Action, Art, History : Engagements with Arthur C. Danto (Columbia Themes in Philosophy)

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  • 製本 Hardcover:ハードカバー版/ページ数 256 p./サイズ 4 illus.
  • 言語 ENG
  • 商品コード 9780231137966
  • DDC分類 111.85

基本説明

Renowned philosophers and art historians revisit Arthur Danto's theories of art, action, and history. Danto continues the conversation by adding his own responses to each essay. "A volume that exhibits a unity of analytical rigor and intellectual rechness that could hardly emerge anywhere except in Danto's environment." --Dieter Henrich, University of Munich.

Full Description

Arthur C. Danto is unique among philosophers for the breadth of his philosophical mind, his eloquent writing style, and the generous spirit embodied in all his work. Any collection of essays on his philosophy has to engage him on all these levels, because this is how he has always engaged the world, as a philosopher and person. In this volume, renowned philosophers and art historians revisit Danto's theories of art, action, and history, and the depth of his innovation as a philosopher of culture. Essays explore the importance of Danto's philosophy and criticism for the contemporary art world, along with his theories of perception, action, historical knowledge, and, most importantly for Danto himself, the conceptual connections among these topics. Danto himself continues the conversation by adding his own commentary to each essay, extending the debate with characteristic insight, graciousness, and wit. Contributors include Frank Ankersmit, Hans Belting, Stanley Cavell, Donald Davidson, Lydia Goehr, Gregg Horowitz, Philip Kitcher, Daniel Immerwahr, Daniel Herwitz, and Michael Kelly, testifying to the far-reaching effects of Danto's thought.
Danto brought to philosophy the artist's unfettered imagination, and his ideas about postmodern culture are virtual road maps of the present art world. This volume pays tribute to both Danto's brilliant capacity to move between philosophy and contemporary culture and his pathbreaking achievements in philosophy, art history, and art criticism.

Contents

Introduction, by Daniel Herwitz and Michael Kelly 1. Arthur Danto at Columbia and in New York, by Akeel Bilgrami A Note on My Responses, by Arthur Danto 2. Danto's Action, by Donald Davidson Response 3. Crossing Paths, by Stanley Cavell Response 4. For the Birds/Against the Birds: The Modernist Narratives of Danto and Adorno (and Cage) /, by Lydia GoehrResponse 5. Photoshop, or, Unhanding Art, by Gregg Horowitz Response 6. At the Doom of Modernism: Art and Art Theory in Competition, by Hans Belting Response 7. The Sell-By Date, by Daniel Herwitz Response 8. Danto on Tansey: The Possibilities of Appearance, by Michael Kelly Response 9. Danto, History, and the Tragedy of Human Existence, by Frank R. Ankersmit Response 10. History and the Sciences, by Philip Kitcher and Daniel Immerwahr Response

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