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基本説明
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception.
Full Description
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.
Contents
Acknowledgements Introduction Fetishistic Noir: Charles Baudelaire and Léo Malet Liberation Noir: Boris Vian and the Série Noire (1) Allegorical Noir: Boris Vian and the Série Noire (2) Noir Strangulation (1): Terry Stewart and Vernon Sullivan Noir Strangulation (2): Amélie Nothomb and Intertextuality Jazz: Classic French Film Noir as Trans-Atlantic Exchange Fatal(e) Crossings: Figures of the Feminine in French and American Film Noir Americans in Paris From Honest Thief to Media Sociopath Double-Crossings: Reversing the Remake Bibliography Index