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Full Description
Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
Contents
Acknowledgements List of Abbreviations Introduction Dialogism and Film Studies: The Dialogic Spectator Chronotope I: Time, Space, Narrative Chronotope II: Time, Space and Genre in the Western Film Polyphony: Authorship and Power Hollywood Calling: Cinema's Technological Address Conclusion: Making It Real Notes Bibliography Filmography Index