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Full Description
Through a shrewd analysis of the historical experience of imperialism and settler colonialism, Limbrick draws new conclusions about their effect on cinematic production, distribution, reception and filmic discourse.
Contents
Introduction PART I: Making a Settler Cinema in the United States Playing Empire: Settler Masculinities, Adventure, and The Four Feathers (1929) Imperial Production, Settler Colonialism, and the Argosy Westerns PART II: Empire and Settler Cinema in Australia Ealing's Australian Westerns PART III: Film History and Settler Cinema in Aotearoa/New Zealand Hei Tiki (1935): Film Histories Past and Present Unsettled Histories: The Seekers (1954)