オックスフォード版 現代アイルランド詩ハンドブック The Oxford Handbook of Modern Irish Poetry (Oxford Handbooks)

オックスフォード版現代アイルランド詩ハンドブック<br>The Oxford Handbook of Modern Irish Poetry (Oxford Handbooks)

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オックスフォード版現代アイルランド詩ハンドブック
The Oxford Handbook of Modern Irish Poetry (Oxford Handbooks)

Brearton, Fran (EDT)/ Gillis, Alan (EDT)

ウェブストア価格 ¥40,360（本体¥36,691）
Oxford University Press（2012/10発売）
外貨定価 US$ 195.00
ポイント 366pt

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製本 Hardcover:ハードカバー版／ページ数 744 p.
言語 ENG
商品コード 9780199561247
DDC分類 821.9099415

基本説明

The Oxford Handbook of Modern Irish Poetry consists of 40 essays by leading scholars and new researchers in the field. Beginning with W.B.Yeats, the figure who towers over the century's poetry, it includes chapters on the major poets to have emerged in Ireland over the last 100 years.

Full Description

Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period.

The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.

PART I: POETRY AND THE REVIVAL; PART II: THE POETRY OF WAR; PART III: MODERNISM AND TRADITIONALISM; PART IV: MID-CENTURY IRISH POETRY; PART V: POETRY & THE ARTS; PART VI: ON THE BORDERS: A FURTHER LOOK AT THE LANGUAGE QUESTION; PART VII: POETRY & POLITICS: 1970S & 1980S; PART VIII: CULTURAL LANDSCAPES; PART IX: THE POET AS CRITIC; PART X: ON POETIC FORM; PART XI: ON RECENT POETRY