芸術の定義と正典の創造：懐疑の時代の芸術的価値 Defining Art, Creating the Canon : Artistic Value in an Era of Doubt

芸術の定義と正典の創造：懐疑の時代の芸術的価値<br>Defining Art, Creating the Canon : Artistic Value in an Era of Doubt

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芸術の定義と正典の創造：懐疑の時代の芸術的価値
Defining Art, Creating the Canon : Artistic Value in an Era of Doubt

Crowther, Paul

ウェブストア価格 ¥30,011（本体¥27,283）
Oxford University Press（2007/03発売）
外貨定価 US$ 145.00
ポイント 272pt

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製本 Hardcover:ハードカバー版／ページ数 276 p.
言語 ENG
商品コード 9780199210688
DDC分類 111.85

基本説明

New in paperback. Hardcover was published in 2007. Controversial defence of common sense against relativism and postmodernism.

Full Description

What is art; why should we value it; and what allows us to say that one work is better than another?

Traditional answers have emphasized aesthetic form. But this has been challenged by institutional definitions of art and postmodern critique. The idea of distinctively artistic value based on aesthetic criteria is at best doubted, and at worst, rejected. This book, however, champions these notions in a new way. It does so through a rethink of the mimetic definition of art on the basis of factors which traditional answers neglect, namely the conceptual link between art's aesthetic value and 'non-exhibited' epistemological and historical relations.

These factors converge on an expanded notion of the artistic image (a notion which can even encompass music, abstract art, and some conceptual idioms). The image's style serves to interpret its subject-matter. If this style is original (in comparative historical terms) it can manifest that special kind of aesthetic unity which we call art. Appreciation of this involves a heightened interaction of capacities (such as imagination and understanding) which are basic to knowledge and personal identity. By negotiating these factors, it is possible to define art and its canonic dimensions objectively, and to show that aforementioned sceptical alternatives are incomplete and self-contradictory.

PART ONE: CULTURE AND ARTISTIC VALUE ; PART TWO: THE AESTHETIC AND THE ARTISTIC ; PART THREE: DISTINCTIVE MODES OF IMAGING