Full Description
This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistic theory.
Following a detailed introduction by the editors, The Language of Fiction contains 14 chapters by leading scholars in linguistics and philosophy, organized into three parts. Part I, 'Truth, Reference, and Imagination', offers new, interdisciplinary perspectives on some of the central themes from the philosophy of fiction: What is fictional truth? How do fictional names refer? What kind of speech act is involved in telling a fictional story? What is the relation between fiction and imagination? Part II, 'Storytelling', deals with themes originating from the study of narrative: How do we infer a coherent story from a sequence of event descriptions? And how do we interpret the words of impersonal or unreliable narrators? Part III, 'Perspective Shift', focuses on an alleged key characteristic of fictional narratives, namely how we get access to the fictional characters' inner lives, through a variety of literary techniques for representing what they say, think, or see. The volume will be of interest to scholars from graduate level upwards in the fields of discourse analysis, semantics and pragmatics, philosophy of language, psychology, cognitive science, and literary studies.
Contents
1: Emar Maier and Andreas Stokke: Introduction
Part I: Truth, Reference, and Imagination
2: François Recanati: Fictional reference as simulation
3: Hans Kamp: Sharing real and fictional reference
4: Nils Franzén: Fictional truth: In defense of the reality principle
5: Sandro Zucchi: On the generation of content
6: Manuel García-Carpintero: Do the imaginings that fictions invite have a direction of fit?
Part II: Storytelling
7: Regine Eckardt: In search of the narrator
8: Emar Maier and Merel Semeijn: Extracting fictional truth from unreliable sources
9: Samuel Cumming: Narrative and point-of-view
10: Daniel Altshuler: A puzzle about narrative progression and causal reasoning
11: Matthias Bauer and Sigrid Beck: Isomorphic mapping in fictional interpretation
Part III: Perspective Shift
12: Nellie Wieland: Metalinguistic acts in fiction
13: Márta Abrusán: Computing perspective shift in narratives
14: Isidora Stojanovic: Derogatory terms in free indirect discourse
15: Andreas Stokke: Protagonist projection, character-focus, and mixed quotation
