Full Description
Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction.
Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem `mysterious' in the first place. Attentive to the historical and political dimensions of these very American tales, this critical edition selects twenty-four tales and places the most popular -- 'The Pit and the Pendulum', `The Fall of the House of Usher', `The Masque of the Red Death', `The Murders in the Rue Morgue, and `The Purloined Letter' -- alongside less well-known travel narratives, metaphysical essays, and political satires.
Contents
IntroductionMS Found in a BottleBerenicëMorellaLigeiaThe Man That Was Used UpThe Fall of the House of UsherWilliam WilsonThe Man of the CrowdThe Murders in the Rue MorgueEleonoraThe Masque of the Red DeathThe Pit and the PendulumThe Mystery of Marie RogêtThe Tell-Tale HeartThe Gold-BugThe Black CatA Tale of the Ragged MountainsThe Purloined LetterThe Systems of Doctor Tarr and Professor FetherThe Imp of the PerverseThe Cask of AmontilladoThe Domain of ArnheimHop-FrogVon Kempelen and his DiscoveryExplanatory Notes
