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基本説明
Did Shakespeare and his contemporaries think at all in terms of 'race'? Examining the depiction of cultural, religious, and ethnic difference in Shakespeare's plays, Loomba considers how 17c ideas differed from the later ideologies of 'race' that emerged during colonialism.
Full Description
For centuries, plays like Othello and The Tempest have spoken about 'race' to audiences whose lives have been, and continue to be, enormously affected by the racial question. But are concepts such as 'race' or 'racism', 'xenophobia', 'ethnicity', or even 'nation' appropriate for analysing communities and identities in early modern Europe? Did skin colour matter to Shakespeare and his contemporaries, or was religious difference more important to them? This book examines how Shakespeare's plays contribute to, and are themselves crafted from, contemporary ideas about social and cultural difference. It considers how such ideas might have been different from later ideologies of 'race' that emerged during colonialism, but also from older ideas about barbarism, blackness, and religious difference. Thus it places the racial question in Shakespeare's plays alongside the histories with which they converse.
Shakespeare uses and plays with the vocabularies of difference prevailing in his time, repeatedly turning to religious and cultural cross-overs and conversions - their impossibility, or the traumas they engender, or the social upheavals they can generate. Shakespeare, Race and Colonialism looks in depth at Othello, The Merchant of Venice, Antony and Cleopatra, The Tempest, and Titus Andronicus, and also shows how racial difference shapes the language and themes of other plays.
Contents
List of Illustrations ; Introduction: Race and Colonialism in the Study of Shakespeare ; 1. The Vocabularies of Race ; 2. Religion, Colour, and Racial Difference ; 3. Wilderness and Civilization in Titus Andronicus ; 4. Othello and the Racial Question ; 5. The Imperial Romance of Antony and Cleopatra ; 6. Religion, Money, and Race in The Merchant of Venice ; Conclusion: Playing with Shakespeare ; Notes ; Suggestions for Further Reading ; Index
