Full Description
This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises within.
Contents
Preface
Chapter 1: Musical Time and Space
Assignment 1.1: Rhythm, Meter, and Accent
Assignment 1.2: More Metrical Issues, Scales, and Key Signatures
Assignment 1.3: More Scales, Intervals
Assignment 1.4: More intervals and Melody
Chapter 2: Harnessing Musical Time and Space
Assignment 2.1: Contrapuntal Motions and 1:1 Counterpoint
Assignment 2.2: 1:1 and 2:1 Counterpoint
Assignment 2.3: 2:1 Counterpoint, Triads
Assignment 2.4: Triads and Figured Bass
Assignment 2.5: Figured Bass and Harmonic Analysis
Assignment 2.6: Seventh Chords
Assignment 2.7: Seventh Chords, Texture
Chapter 3: Making Choices: When Harmony, Melody, and Rhythm Merge
Assignment 3.1: Tones of Figuration and Harmonic Analysis
Assignment 3.2: Melodic Fluency
Assignment 3.3: Embellishment
Chapter 4: Composition and Analysis: Using I, V, and V7
Assignment 4.1: Writing and Analyzing I and V
Assignment 4.2: More Writing of Tonic and Dominant
Assignment 4.3: V7
Chapter 5: Contrapuntal Expansions of Tonic and Dominant
Assignment 5.1: Six-Three Chords
Assignment 5.2: More Six-Threes
Assignment 5.3: V7 and viio7
Assignment 5.4: More Seventh Chords
Chapter 6: A New Harmonic Function; Additional Melodic and Harmonic Embellishments
Assignment 6.1: The Pre-Dominant
Assignment 6.2: More Pre-Dominants
Assignment 6.3: Accented Tones of Figuration
Assignment 6.4: All Tones of Figuration
Chapter 7: Six Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase Model
Assignment 7.1: Six-Four Chords
Assignment 7.2: More Six-Four Chords and Non-Dominant Seventh Chords
Assignment 7.3: More Non-Dominant Seventh Chords
Assignment 7.4: Embedded Phrase Models
Chapter 8: The Submediant and Mediant
Assignment 8.1: The Submediant
Assignment 8.2: Submediant and Mediant
Assignment 8.3: More Submediant and Mediant
Assignment 8.4: Paradigms and Composition
Chapter 9: The Period, Double Period, and Sentence
Assignment 9.1: Period and Sentence
Assignment 9.2: Composition
Assignment 9.3: Period, Sentence, and Double Period
Chapter 10: Harmonic Sequences: Concepts and Patterns
Assignment 10.1: Triadic Sequences
Assignment 10.2: More Triadic Sequences
Assignment 10.3: Triadic and Seventh Chord Sequences
Chapter 11: Applied Chords
Assignment 11.1: Spelling, Recognizing, and Writing Applied Chords
Assignment 11.2: Applied viio7
Assignment 11.3: Harmonization and Applied Chord Sequences
Assignment 11.4: Extended Tonicization
Chapter 12: Modulation and Binary Form
Assignment 12.1: Closely Related Keys, Pivots, and Modulation
Assignment 12.2: More Modulation; More Writing
Assignment 12.3: Two-Voice Modulations, Modulation, and Binary Form
Assignment 12.4: Modulation and Binary Form
Assignment 12.5: Binary Form
Chapter 13: Expressive Chromaticism: Modal Mixture and Chromatic Tonicization
Assignment 13.1: Melodic and Harmonic Mixture
Assignment 13.2: Plagal motions
Assignment 13.3: Chromatic Tonicization
Assignment 13.4: Prepared and Common-Tone Chromatic Modulations
Chapter 14: The Neapolitan and Augmented Sixth Chords
Assignment 14.1: Identifying and Writing the Neapolitan Chord
Assignment 14.2: More Neapolitan
Assignment 14.3: Tonicization of the Neapolitan
Assignment 14.4: Augmented Sixth Chords
Assignment 14.5: More Augmented Sixth Chords
Assignment 14.6: More Writing of Augmented Sixth Chords, +6 in Modulation
Chapter 15: Ternary and Sonata Forms
Assignment 15.1: Analysis of Ternary
Assignment 15.2: Ternary and Binary Forms
Assignment 15.3: Sonata
Keyboard Exercises
