基本説明
Assembles eleven distinguished writers from the fields of ethnomusicology and music theory.
Full Description
Analytical Studies in World Music assembles eleven distinguished writers on music to discuss the detail and ingenuity with which sound is organized in musical traditions all over the world. Each chapter uses a recording, notation, diagrams, and imaginative description to bring the music to life as sound pattern and creative process, while an introductory chapter proposes ways to think about musical structures cross-culturally.
Contents
List of Figures
Contributors
INTRODUCTION: Analysis, Categorization, and Theory of Musics of the WorldMichael Tenzer:
PART I, SECTIONAL PERIODICITIES: POETRY, SONG, RITUAL
1: Stephen Blum: Nava'i, A Musical Genre of Northeastern Iran
2: Donna A. Buchanan and Stuart Folse: How to Spin a Good Horo: Melody, Mode, and Musicianship in the Composition of Bulgarian Dance Tunes
3: Peter Manuel: Flamenco in Focus: An Analysis of a Performance of Soleares
4: Robin Moore and Elizabeth Sayre: An Afro-Cuban Batá Piece for Obatalá, King of the White Cloth
PART II, ISOPERIODICITY: FROM STRICT TO DISCURSIVE, WITH VARIATIONS
5: Susanne Fürniss: Aka Polyphony: Music, Theory, Back and Forth
6: Michael Tenzer: Oleg Tumulilingan: Layers of Time and Melody in Balinese Music
7: R. Anderson Sutton and Roger R. Vetter: Flexing the Frame in Javanese Gamelan Music: Playfulness in a Performance of Ladrang Pangkur
PART III, LINEAR COMPOSITION IN PERIODIC CONTEXTS
8: Jonathan P.J. Stock: "Yang's Eight Pieces": Composing a Musical Set-Piece in a Chinese Local Opera Tradition
9: Robert Morris: Architectonic Composition in South Indian Classical Music: The "Navaragamalika Varnam"
10: William Benjamin: Mozart: Piano Concerto No. 17 in G Major, K. 453, Movement I
11: John Roeder: Autonomy and Dialogue in Elliott Carter's Enchanted Preludes
Contents of the Compact Disk
Index
