Real Sex Films : The New Intimacy and Risk in Cinema

個数：

Real Sex Films : The New Intimacy and Risk in Cinema

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    【重要ご説明事項】
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版／ページ数 376 p.
  • 言語 ENG
  • 商品コード 9780190244606
  • DDC分類 791.436538

Full Description

Real Sex Films explores one of the most controversial movements in international cinema through an innovative interdisciplinary combination of theories of globalization and embodiment. Risk sociology, feminist film theory and critical feminist mapping theory are brought together with concepts of production, narrative, genre, authorship, stardom, spectatorship and social audience as several lenses of both 'mutual understanding' and 'galvanizing extension' in ways of seeing this object of 'real-sex cinema'. Notions of personal subjectivity and critical distance, disciplinary co-operation and critique, and cinematic perceptions of the utopia and dystopia of love within risk modernity are the tensions exposed reflexively and in parallel, as each chapter focuses different lenses communicating intimacy, desire, risk and transgression. This is a book which substantively, methodologically and theoretically is embracing and engaging in its consideration of the images, ethics, 'double standards' and embodiments of brutal cinema. Written in a style free of jargon, and crossing the boundaries of film studies, media and cultural studies, the ethnographic turn, risk sociology, feminist psychoanalytical and geopolitical studies, this is a book for students, academics as well as general and professional audiences.

Contents

List of Illustrations
Introduction

1. Intimacy: the Film
2. The Transformation of Intimacy: Sexuality and Risk in Modernity
3. Intimacy and Romance in Film Theory
4a. 'Intimacy is what hurts when it's gone': approaching social audience analysis (Part 1)
4b. 'A man didn't make this film alone': Intertextual dialogue (Part 2
5. Brutal Intimacy: French Corporeal Cinema
6. 'Desperate for Intimacy': Loneliness and Fun in 9 Songs and Shortbus
7. Intimate Pleasures and the Madness of Love: Narrative in Ken Park and Irréversible
8. Actors and Sexual Intimacies: Trust, Mistrust and the Double Standards of Love
9. Secret Intimacies and Addictions in Le Secret
10. Beyond High Theories of Intimacy: authorship, performance and 'obscenity' in The Piano Teacher
11. Desire, Intimacy and the Gaze in the work of Andrea Arnold and Lynne Ramsay

Conclusion
Bibliography
Filmography
Index