Full Description
The original textbook that set the standard for art foundations courses across the country, Art Fundamentals has guided generations of students through both the essential elements of art and the rich and varied history of their uses. We have organized Art Fundamentals to assist with "knowing" and "feeling" the fundamental concepts of refined creation. Our intent is to stimulate without locking students into a restricted mind-set or mechanical copying of ideas.
Contents
Chapter 1 IntroductionTHE VOCABULARY OF INTRODUCTORY TERMSTHE EVOLVING UNITYABSTRACTIONEXPANDING PERSONAL AWARENESSDEVELOPING IDEASCRITICAL THINKING Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONSSculptureArchitectureMetalworkGlass DesignCeramicsFiberworkProduct DesignCOMBINING THE INGREDIENTS: A Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM LINEMeasureTypeDirectionLocationCharacterLINE AND THE OTHER ART ELEMENTSLine and ShapeLine and ValueLine and TextureLine and ColorTHE SPATIAL SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITIONHarmony and VarietyDominanceMovementBalanceProportion and EconomySHAPE AND EXPRESSIVE VALUEChiaroscuroTenebrismDECORATIVE VALUEVALUE PATTERN AND TEXTUREActual TextureSimulated TextureAbstract TextureInvented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE ColorSubtractive ColorARTISTS' PIGMENTS AND THE TRIADIC COLOR AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & MOTIONTimelineGlossaryBibligraphyNER(01): WOW
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