Description
As The Walt Disney Company celebrates 100 years of fairy-tale magic, this collection of essays encapsulates this long and successful journey. From its beginnings as Laugh-O-Gram in the early 1920s, the two-man operation has become a multi-billion-dollar corporation that is a world leader in media communications. Their magical stories have continued across generations, supported by film, theme parks, and merchandise, all of which have made Disney a household name. This collection seeks to celebrate these stories, both historically and within present-day times, examining the relevance and importance of the world of Disney in popular culture.
Table of Contents
1. Introduction – A Century of Disney - Amanda Rutherford and Sarah Baker.- Time, Design, and Method.- 2. Tales of time: 100 years of Walt Disney’s magic - Amanda Rutherford.- 3. The Enduring Influence of Walt Disney on User Experience (UX) Design - Ricky Tucker, UX/UI designer for Louisiana's Office of Technology Services.- 4. Mary Blair & the Making of Cinderella (1950) - Gabrielle Stecher, Woodward- 5. Surface Echoes, Ancient Roots: How Marvel Breathed New Life into the Norse Myths - Kevin Fylan.- 6. Animating Emotions: Exploring Emotional Memory in Disney and Pixar Films Focusing on its representation forms, meanings, and effects - Kyoung-suk Sung.- De-and-Reconstructing gender.- 7. Waiting for New Princes Charming. Male Identity from Fairy Tale to the Disney Universe - Dalia Forni.- 8. Body modification to win a prince: The Cinderella tale of enhancement in modern society - Amanda Rutherford.- 9. Sounding Silence: Fathoming the Feminist Dialogics of Walt Disney’s The Little Mermaid -Maryna Matlock.- 10. A Whole New World: Reinventing the Fairy Tale Prince in Disney - Ritika Chhabra.- Expanding representations of family.- 11. From Heteronormative to Queer Kinship: Disney’s Patterns of Parenthood over the Century - Thanong Aupitak.- 12. “The Stars Don’t Shine, They Burn”: Perfectionism in Disney’s Encanto (2021) - Jelena Pataki Šumiga.- 13. “The Perfect Child, The Strong One, and The Cycle Breaker: Personifying Intergenerational Trauma Responses in Disney’s Encanto - Julie Thompson.-14. In and out and In again: Disney’s now you see it now you don’t queer representation - Sarah Baker.- Monsters at the door.- 15. Creepiest Place on Earth: The Dark Side of Disney - Sarah Baker.- 16. “He’s More Machine Now than Man; Twisted and Evil”: Gothic Villains and Technology in the Star Wars Sequel
Trilogy Antonio Sanna.
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