Description
How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive. But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience.
Table of Contents
Introduction; Part I. Moderns: 1. Exploring the 'Dark Continent': Franz Wickhoff, Alois Riegl, and the first definitions of late antiqute art; 2. Rome on the Danube: late antique art and Austrian identity; 3. East meets West: archaeology, art history, and the crystallization of late antique art; 4. Building vocabulary in the 'Epoch of the Great Spiritual'; Part II. Ancients: 5. The styles of mimesis; 6. Storytelling and the 'illusive similitude of life'; 7. Ceremonial images and the 'amplification of good things'; 8. Portraits civic and sacred; 9. Conclusion: an art of persuasion.
-
- 電子書籍
- 訳あり令嬢の法廷【タテヨミ】第46話 …
-
- 電子書籍
- 阿修羅ゲート123【タテヨミ】 Stu…
-
- 電子書籍
- 悪役令嬢の華麗なる逆転人生 転生したか…
-
- 電子書籍
- 愛は序曲に始まって ハーレクインコミッ…
-
- 電子書籍
- ラベルは“妻”【ハーレクインSP文庫版…