Description
This book presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis.
The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ‘cosmos’—the order of the world—to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ‘cosmological readings’ of a diverse range of authors—Indigenous and non-Indigenous—as a challenge to the Anthropocene’s decline-narrative. As a result, it reactivates ‘cosmos’ as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era.
This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.
Table of Contents
Introduction: Literary Cosmology in the Anthropocene
Part I: CONTEXT / THEORY: From Chaos to Cosmos to Anthropocene?
Chapter 1: Cosmos within and beyond the Environmental Humanities
Chapter 2: Cosmos Today: Modern, Transcultural, (Dis)enchanted
Part II: COLONISATION / EXPLOITATION: Reimagining Agriculture and Extraction
Chapter 3: Remembering the Language of Colonial Agriculture: Carrie Tiffany’s Everyman’s Rules for Scientific Living
Chapter 4: Resisting Mining and Regenerating Country through the Wiradjuri Language: Tara June Winch’s The Yield
Part III: BIOETHICS / TECHNOLOGY: Revising Human Mastery Narratives
Chapter 5: Testing the Limits of Apocalyptic Climate Fiction: Briohny Doyle’s The Island Will Sink
Chapter 6: Reconsidering Evolution and Queering Environmentalism: Ellen van Neerven’s “Water”
Part IV: ENVIRONMENTAL JUSTICE / CUSTODIANSHIP: Towards a Sovereign Cosmopolitics
Chapter 7: Remembering the Opposite of Oppression: Behrouz Boochani’s No Friend but the Mountains
Chapter 8: Aquatious Mobilisation of Indigenous Sovereignty: Melissa Lucashenko’s Too Much Lip
Conclusion
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