Description
Wallace Stevens and the Contemporary Irish Novel is a major contribution to the study of the literary influence of the American modernist poet Wallace Stevens. Stevens’s lifelong poetic quest for order and the championing of the creative affordances of the imagination finds compelling articulation in the positioning of the Irish novel as a response to larger legacies of Anglo-American modernism, and how aesthetic re-imagining can be possible in the aftermath of the destruction of certainties and literary tradition heralded by postmodern practice and metatextual consciousness. It is this book’s argument that intertextual influences flowing from Stevens’s poetry towards the vitality of the novelistic imagination enact robust dialectical exchanges between existential chaos and artistic order, contemporary form and poetic precursors. Through readings of novels by important contemporary Irish novelists John Banville, Colum McCann, Ed O’Loughlin, Iris Murdoch, and Emma Donoghue, this book contemporizes Stevens’s literary influence with refence to novelistic style, themes, and thematic preoccupations that stake the claim for the international status of the contemporary Irish novel as it shapes a new understanding of “world literature” as exchange between national languages, cultures, and alternative formulations of aesthetic modernity as continuing project.
Table of Contents
Chapter One: Wallace Stevens and the "Irish Connection": Tradition and the Search for Order
Chapter Two: In Search of Fictive Order: John Banville’s Scientific Tetralogy and Wallace Stevens’s "Notes Towards a Supreme Fiction"
Chapter Three: Solipsism and Accommodation: The Function of Art in Banville’s The Blue Guitar and Stevens’s "The Man with the Blue Guitar"
Chapter Four: Fragmented Vision and New Possibilities: Stevens’s "Thirteen Ways of Looking at a Blackbird" and Colum McCann’s formalistic experiments
Chapter Five: The Place of the Mind at the End of Things: Stevens’s "The Snow Man" and Questions of Travel in Ed O’Loughlin’s Minds of Winter and Emma Donoghue’s Haven
Chapter Six: Myth, Senescence, and the Limits of Transcendental Union in Wallace Stevens’s Late Poetry and Iris Murdoch’s The Sea, The Sea and The Message to the Planet
