Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works

著者名：Landy, Leigh

Routledge（2023/12/22発売）

• 言語：ENG
• ISBN：9781032533278
• eISBN：9781003814061

Description

Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire, as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening – in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume’s focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book’s work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound artworks. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online.

Table of Contents

Table of Contents

1 To start

What this book is all about

Building on the author’s previous work

Regarding the central part of the book

2 Work discussions across sound-based creativity – Fixed Medium

Acousmatic/1 – Florian Sulpice: C’est wiizzz!!!

Acousmatic/2 – John Young: Three Spaces in Mid-Air

Soundscape – Katerina Tzedaki: a soundwalk

lowercase – Simon Atkinson: interiorities viii

+ Kerry Francksen/Simon Atkinson: Betwixt & Between

Electronic/formalised – Kevin Dahan: Gravitational Landscape

(with tinnitus)

Visual music – Bret Battey: Three Breaths in Empty Space

Text-sound + sample-based – Leigh Landy: On the Éire

3 Work discussions across sound-based creativity – Live

Mixed music – Simon Emmerson: Solo Flute Quartet

Improvised – James Andean: Third Space

Live coding – Anna Xambó: MTI@20 – Leicester, UK

DIY electronics – John Richards: Motor Music

Turntablism – dj sniff (Takuro Mizuta Lippit):

untitled performance

Performance art – Neal Spowage: Noise Loop Bootstrap

4 Work discussions across sound-based creativity – Sound art

Installations/1 – Francesc Martí: Speech cycle

Installations/2 – Peter Batchelor: Contraption

Objects – Sam Topley: Noisy Pompoms

5 To end

References

Appendix – The Intention/Reception Form Used in the Book

Glossary