Description
The book offers an interdisciplinary overview of the film and place relationship from an intercultural perspective. It explores the complex domain of place and space in cinema and the film industry's role in establishing cultural connections and economic cooperation between India and Europe.
With contributions from leading international scholars, various case studies scrutinise European and Indian contexts, exploring both the established and emerging locations. The book extends the dominantly Britain-oriented focus on India’s cinema presence in Europe to European countries such as Italy, Switzerland, Poland, Slovenia, Finland, and Sweden, where the Indian film industry progressively expands its presence. The chapters of this book look at Indian film production in Europe as a cultural bridge between India and Europe, fostering mutual understanding of the culture and society of the two regions.
This interdisciplinary book will be of interest to researchers in film studies, cultural anthropology, cultural geography, tourism, economics, sociology, and cultural studies. It will also be interest to practitioners working in local authorities, destination management, tourism, and creative business, all of whom see the value of film production in attracting visitors, investment, and creating new networks with local economic actors. The book offers much-needed data and tools to translate their professional goals and potentials into effective regional strategies and activities.
Table of Contents
PART I. INTRODUCTION
- Introduction: Film and place from an intercultural perspective
- From real to reel and back again: Multifaceted relations between film and place
- Destination Europe: The practices of mapping in contemporary Bombay cinema
- Portraying European landscapes in Indian films
- European locations in Bollywood songs: Exploring mobile bodies and new song genres
- On the Italian trail of Indian films through the lens of media industry studies
- Contemporary Indian film productions in Switzerland
- Slovenia as a new contender in attracting Indian filmmakers within the context of Central and Eastern Europe
- Production culture, interpersonal relations, and the internationalisation of filmmaking industry: The case of Indian film productions in Poland
- Film productions as a part of the regional identity in rural areas – the case of the Nordic countries
- Beastly places: European encounters with Bollywood’s non-human geographies
- Film as a majoritatian framework of Hindu nationalism: The case of Purab Aur Pachhim
Pankaj Jain, Ajay Raina - "Namastey London": Bollywood movies and their impact on how Indians perceive European destinations
- Conclusions: Film as a driver of new socio-economic connections between India and Europe
Krzysztof Stachowiak, Hania Janta, Jani Kozina, Therese Sunngren-Granlund
Krzysztof Stachowiak
PART II. EXPERIENCING PLACE THROUGH FILM
Ranjani Mazumdar
Mimi Urbanc, Primož Gašperič, Jani Kozina
Shikha Jhingan
PART III. ON LOCATION: FILM PRODUCTION, FILM POLICY AND PLACE
Marco Cucco, Massimo Scaglioni
Hania Janta, Metka Herzog
Jani Kozina, Ana Jelnikar
Malwina Balcerak, Krzysztof Stachowiak, Marcin Adamczak
Therese Sunngren-Granlund
PART IV. BEYOND THE SCREEN: SOCIO-SPATIAL IMPACT OF FILM
Veena Hariharan
Bharath M. Josiam, Daniel Spears, Kirti Dutta, Sanjukta A. Pookulangara, Tammy L. Kinley
PART V. CONCLUSIONS
Hania Janta, Krzysztof Stachowiak, Jani Kozina, Therese Sunngren-Granlund



