Description
This innovative volume compels readers to re-think the notions of performance, performing, and (non)performativity in the context of the COVID-19 global pandemic. Given these multi-faceted ways of thinking about “performance” and its complicated manifestations throughout the pandemic, this volume is organised into umbrella topics that focus on three of the most important aspects of identity for cultural and intercultural studies in this historical moment: language; race/gender/sexuality; and the digital world. In critically re-thinking the meaning of “performance” in the era of COVID-19, contributors first explore how language is differently staged in the context of the global pandemic, compelling us to normalise an entirely new verbal lexicon. Second, they survey the pandemic’s disturbing impact on socio-political identities rooted in race, class, gender, and sexuality. Third, contributors examine how the digital milieu compels us to reorient the inside/outside binary with respect to multilingual subjects, those living with disability, those delivering staged performances, and even corresponding audiences.
Together, these diverse voices constitute a powerful chorus that rigorously excavates the hidden impacts of the global pandemic on how we have changed the ways in which we perform identity throughout a viral crisis. This volume is thus a timely asset for all readers interested in identity studies, performance studies, digital and technology studies, language studies, global studies, and COVID-19 studies. It was originally published as a special issue of the Journal of Intercultural Studies.
Table of Contents
1. Introduction—Viral Stagings Across the Globe: Performing Identity in the Era of COVID-19
Rahul K. Gairola, et al.
PART I ‘Acting Out’: Framing Language and Performance Today
2. Revisiting Manhattan Music in the Time of COVID-19: Body Politics, Anti-Asian Racism and Negotiation of Ethnic Identity
Farzana Akhter
3. Reclaiming Everydayness and Japanese Cultural Routines in Animal Crossing: New Horizons
Martin Roth
4. Muslim Responses to the COVID-19 Pandemic in Western Sydney: Understanding the Role of Community-Specific Communication Infrastructure
Jasbeer Musthafa Mamalipurath and Tanya Notley
5. Standing-Out and Fitting-In: The Acoustic-Space of Extemporised Speech
Tim Flanagan
PART II Enacting the Race, Gender, and Sexuality of COVID-19
6. Networks of Alterity in Syndemic Times: Sociodigital Media Controversy Around Racism in Mexico
André Dorcé
7. Hope, Performative Diversity and Re-production: Hamilton and COVID-Era Politics
Sarah Courtis, Melissa Merchant and Ellin Sears
8. Enby in the Time of COVID-19: An Autoethnographic Reflection on Performing Non-binary Identity during Lockdown
Alberto Fernández Carbajal
9. Bodies of/at Work: How Women of Colour Experienced Their Workplaces and Have Been Expected to ‘Perform’ during the COVID-19 Pandemic
Catherine Archer, et al.
PART III Pandemic Performing and the Digital Milieu
10. Egyptian Baladi, Australian Style in Lockdown: Seeking Connection
Trisnasari Fraser
11. Zoom Face: Self-surveillance, Performance and Display
Tyne Daile Sumner
12. Viral Assemblages and Witnessing Extraordinary Times: Queer Patchworks of Intimacy, Precarity and Affect in an Indian City
Rohit K. Dasgupta
13. Digital Literary Creative Practice and COVID-19
David Thomas Henry Wright
14. The Reshaping of Home, Privacy and Identity during a Pandemic
Paul Longley Arthur and Isabel Smith
Afterword
Toby Miller
