Description
Collage art and film date back to the early 20th century (the earliest collages have roots in 12th-century Japan). It was rooted in the age of consumerism where artists addressed an array of political and social issues by creating a carefully crafted collision of pre-existing images and sounds to generate new meanings and commentaries on the surrounding world.
Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues.
In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.
Table of Contents
Chapter 01 Breaking Stones With A Feather - Why Collage?
Chapter 02 Umbrellas and Sewing Machines - A Brief Look at the History of Collage Art
Chapter 03 Fist Fights, Alchemists, Magicians and Python - 1950s/1960s
Chapter 04 Hi-Fi Cadets Kidnapping a Jukebox of Frank Pearly Oysters - 1970/1980s
Chapter 05 Pending Elliptical Ghost Perverts - 1990s/2000s
Chapter 06 The Accidental Luxuriance of Recycled Utopian Erodium Pressure Pistols - 2010 and beyond
Chapter 07 Are we all just collages?
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