モダンダンスが中国と世界をつなぐ<br>When Words Are Inadequate : Modern Dance and Transnationalism in China

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¥9,374
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  • ポイントキャンペーン

モダンダンスが中国と世界をつなぐ
When Words Are Inadequate : Modern Dance and Transnationalism in China

  • 著者名:Ma, Nan
  • 価格 ¥6,347 (本体¥5,770)
  • Oxford University Press(2023/03/17発売)
  • 夏の総決算!Kinoppy 電子書籍・電子洋書 全点ポイント30倍(~8/31)
  • ポイント 1,710pt (実際に付与されるポイントはご注文内容確認画面でご確認下さい)
  • 言語:ENG
  • ISBN:9780197575314
  • eISBN:9780197575338

ファイル: /

Description

When Words are Inadequate is a transnational history of modern dance written from and beyond the perspective of China. Author Nan Ma extends the horizon of China studies by rewriting the cultural history of modern China from a bodily movement-based perspective through the lens of dance modernism.The book examines the careers and choreographies of four Chinese modern dance pioneers-Yu Rongling, Wu Xiaobang, Dai Ailian, and Guo Mingda-and their connections to canonical Western counterparts, including Isadora Duncan, Mary Wigman, Rudolf von Laban, and Alwin Nikolais. Tracing these Chinese pioneers' varied experiences in Paris, Tokyo, Trinidad, London, New York, and China's metropolises and borderlands, the book shows how their contributions adapted and reimagined the legacies of early Euro-American modern dance.In doing so, When Words are Inadequate reinserts China into the multi-centered, transnational network of artistic exchange that fostered the global rise of modern dance, further complicating the binary conceptions of center and periphery and East and West. By exploring the relationships between performance and representation, choreography and politics, and nation-building and global modernism, it situates modern dance within an intermedial circuit of literary and artistic forms, demonstrating how modern dance provided a kinesthetic alternative and complement to other sibling arts in participating in China's successive revolutions, reforms, wars, and political movements.

Table of Contents

Introduction: The Chinese Case of Modern DanceChapter 1: Traveling Princess and Dancing Diplomat: Yu Rongling, Corporeal Modernity, and Isadora DuncanChapter 2: Transmediating Kinesthesia: Wu Xiaobang, Mary Wigman via Tokyo, and Modern Dance in Wartime ChinaChapter 3: Dancing Reclusion in the Great Leap Forward: Conflicting Utopias and Wu Xiaobang's "Classical New Dance"Chapter 4: Writing Dance: Dai Ailian, Labanotation, and the Multi-Diasporic "Root" of Modern Chinese Ethnic DanceEpilogue: Guo Mingda, Alwin Nikolais, and the (Anti-)American LinkIndex

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