Description
This volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind (Caruth 1996, 3) and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.
Table of Contents
MADALINA ARMIE AND VERÓNICA MEMBRIVE
Introduction
PART I – ESSAYS
JESSICA ALIAGA-LAVRIJSEN
University of Zaragoza, Spain
- Trauma, Reproduction and Breeding in Catherine Brophy’s Dark Paradise
- Different Kinds of Love: Silenced Women in Leland Bardwell’s Short Fiction
- Trauma after a Life of Torture in Irish Magdalene Laundries: Magdalene Survivors’ Testimonies and Patricia Burke-Brogan’s Stained Glass at Samhain
- Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert’s The Walk Home
- Representations of Trauma, Memory and the Silencing of Irish Women: Storytelling in Emer Martin’s The Cruelty Men
- Exposition of a Half-formed System: Trauma and Other Matters in Eimear McBride’s A Girl Is a Half-formed Thing
- Damaged Women: Trauma, Shame and Silence in Sally Rooney’s Conversations with Friends and Normal People
- Conditions of Homecoming: Self-Care and Anticipation in Louise O’Neill’s Only Ever Yours and The Surface Breaks
- Confronting Female Unspeakable Truths in Ireland: Donal Ryan’s Strange Flowers
- Emma Donoghue’s Hood and the Aesthetics of Existential Claustrophobia: From Traumatic Self-Retreat to Uncloseted Grief
- Don’t Tell Them: The Strategy of Silence in Anna Burns’ Milkman
- A Good Enough Mother
- Dirty Irish Punk
- "Flight"
BURCU GÜLÜM TEKIN
University of Zaragoza, Spain
ELENA CANTUESO URBANO AND MARÍA ISABEL ROMERO RUIZ
University of Málaga, Spain
PAULA ROMO-MAYOR
University of Zaragoza, Spain
MELANIA TERRAZAS
University of La Rioja, Spain
F.B. SCHÜRMANN
University College Dublin (UCD), School of English, Drama, and Film, Ireland
ALICIA MURO
University of La Rioja, Spain
KAYLA FANNING
Concordia University, Canada
ASIER ALTUNA-GARCÍA DE SALAZAR
University of Deusto, Spain
MAYRON ESTEFAN CANTILLO-LUCUARA
University of Valencia, Spain
MARÍA GAVIÑA-COSTERO
University of Valencia, Spain
PART 2. PIECES OF CREATIVE WRITING
CATHERINE DUNNE
Unpublished literary piece of novel
MIA GALLAGHER
Unpublished literary piece of novel
LIA MILLS
Reissued short story
