Description
This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research.
Featuring fourteen new essays organized into three sections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to overcome the historical legacy of binary thinking and intellectual norms and are working to champion new ecocritical, intersectional, decolonial, queer, feminist, Indigenous, vitalist, and other emergent theories and cinematic practices. The collection also demonstrates the unique ways that cinema studies scholarship is actively addressing environmental injustice and the climate crisis.
This book is an invaluable resource for students and scholars of ecocritical film and media studies, production studies, cultural studies, and environmental studies.
Table of Contents
Introduction: Cut to green: tracking the growth of ecocinema studies
Stephen Rust, Salma Monani, and Seán Cubitt
PART I
Ecocinema Materialities
1. Unsustainable cinema: global supply chains
Seán Cubitt
2. Greening Mexican cinema
Carolyn Fornoff
3. Energy and exhaustion in a coal melodrama: Kaala Patthar (1979)
Debashree Mukherjee
4. The sustainable audiovisual industry in Catalonia seen through the Green Shooting initiative
Marta Lopera-Mármol & Manel Jiménez-Morales
PART II
Ecocinema Discourses
5. Extraction and wild cinema in Africa
Cajetan Iheka
6. Polytemporality in the slow ecocinema of Lav Diaz: an installation in a trauma field
Elio Garcia
7. Exploring SF ecocinema: gender, infrastructure, and US/China dynamics in Interstellar and The Wandering Earth
Andrew Hageman and Regina Kanyu Wang
8. Keaton’s chimera, or the comic assemblage of mountains
Christian Quendler
9. The matrix of ecomedia: fan worlds as environments
Anthony Lioi
PART III
Ecocinema Communities
10. Indigenous cosmologies and communities: the digital art of Johnathan Thunder and Missy Whiteman
Angelica Lawson
11. Of toxic dust and sad places: ecochronicity and debility in Julio Hernández Cordón’s Polvo (Dust, 2012)
Aarón Lacayo
12. Indigenous post-apocalyptic filmmaking at Standing Rock
Emily Roehl
13. Blurry streams: the pandemic film festival
Mila Zuo
14. Seeing locally, expressing globally: participatory filmmaking and aesthetics
Mariam Abazeri
Afterword: The sequel-effect
Jennifer Fay
