Description
An enactive account of musicality that proposes new ways of thinking about musical experience, musical development in infancy, music and evolution, and more.
Musical Bodies, Musical Minds offers an innovative account of human musicality that draws on recent developments in embodied cognitive science. The authors explore musical cognition as a form of sense-making that unfolds across the embodied, environmentally embedded, and sociomaterially extended dimensions that compose the enactment of human worlds of meaning. This perspective enables new ways of understanding musical experience, the development of musicality in infancy and childhood, music’s emergence in human evolution, and the nature of musical emotions, empathy, and creativity.
Developing their account, the authors link a diverse array of ideas from fields including neuroscience, theoretical biology, psychology, developmental studies, social cognition, and education. Drawing on these insights, they show how dynamic processes of adaptive body-brain-environment interactivity drive musical cognition across a range of contexts, extending it beyond the personal (inner) domain of musical agents and out into the material and social worlds they inhabit and influence. An enactive approach to musicality, they argue, can reveal important aspects of human being and knowing that are often lost or obscured in the modern technologically driven world.
Table of Contents
Acknowledgments vii
1 Getting Situated 1
2 Basic Principles of Enactive Cognitive Science 25
3 Music and Consciousness 51
4 Phenomenology and the Musical Body 69
5 Music and Emotion 91
6 The Empathic Connection 109
7 The Evolution of the Musical Mind 131
8 Teleomusicality 155
9 Creative Musical Bodies 169
10 Praxis 189
Notes 213
References 237
Index 301
