Storytelling for Film and Television : From First Word to Last Frame

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¥12,612
  • 電子書籍
  • ポイントキャンペーン

Storytelling for Film and Television : From First Word to Last Frame

  • 著者名:Dancyger, Ken
  • 価格 ¥8,892 (本体¥8,084)
  • Routledge(2019/04/30発売)
  • 輝く春を満喫!Kinoppy 電子書籍・電子洋書 全点ポイント25倍キャンペーン(~4/19)
  • ポイント 2,000pt (実際に付与されるポイントはご注文内容確認画面でご確認下さい)
  • 言語:ENG
  • ISBN:9780815371793
  • eISBN:9781351245968

ファイル: /

Description

Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production.

The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul.

This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry.

Table of Contents

TABLE OF CONTENTS

SECTION I Narrative

  1. Introduction
  2. The Narrative Tools
  3. The Technical Dimension
  4. The Creative Possibilities
  5. Three Case Studies of Excellence
  6. SECTION II Directing

  7. The Directing Tools
  8. The Technical Dimension
  9. The Creative Possibilities
  10. Three Case Studies of Excellence
  11. SECTION III Editing

  12. The Editing Tools
  13. The Technical Dimension
  14. The Creative Possibilities
  15. Three Case Studies of Excellence
  16. SECTION IV The Storytelling Experience from Beginning to End

  17. Elia Kazan’s Splendor in the Grass
  18. Sidney Lumet’s Daniel
  19. Laszlo Nemes’ Son of Saul
  20. Conclusion

GLOSSARY