Description
This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.
Table of Contents
1. Introduction: Stepping into the Play FrameâCinema as Mammalian Communication.- 2. Janusâs Celluloid and Digital Faces: The Existential CyborgâAutopoieÌsis in Christopher Nolanâs Memento.- 3. Documentary Intertext: Robert Gardnerâs Dead Birds 1964.- 4. Cinemaâs Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas.- 5. Documentary Intertext: John Marshall, The Hunters 1957.- 6. Janus East and West: Multicultural PolyvocalityâTrinh Minh-haâs The Fourth Dimension and The Digital Film.- 7. Documentary Intertext: Trance and Dance in Bali 1951.- 8. Janusâs Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameronâs Avatar.- 9. Documentary Intertext: André Singerâs and J. Stephen Lansingâs The Goddess and the Computer 1988.- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.
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