Description
This book offers essays on both canonical and non-canonical German-language texts and films, advancing ecocritical models for German Studies, and introducing environmental issues in German literature and film to a broader audience. This volume contextualizes the broad-ranging topics and authors in terms of the Anthropocene, beginning with Goethe and the Romantics and extending into twenty-first-century literature and film. Addressing the growing need for environmental awareness in an international humanities curriculum, this book complements ecocritical analyses emerging from North American and British studies with a specifically German Studies perspective, opening the door to a transnational understanding of how the environment plays an integral role in cultural, political, and economic issues.
Table of Contents
.-1 The Dark Pastoral: A Trope for the Anthropocene.-2 Goethe’s Faust and the Ecolinguistics of .-3 Adalbert Stifter’s Alternative Anthropocene: Reimagining Social Nature in Brigitta and Abdias.-4 The Senses of Slovenia: Peter Handke, Stanley Cavell, and the Environmental Ethics of Repetition.-5 “Mines aren’t really like that": German Romantic Undergrounds Revisited.-6 (Bad) Air and (Faulty) Inspiration: Elemental and Environmental Influences on Fontane.-7 Hunger Artists and other Performers: Food and Consumption as Poetic Practice.-8 Speaking Stones: Material Agency and Interaction in Hans-Christian Enzensberger’s Geschichte der Natur.-9 When Nature Strikes Back – The Inconvenient Apocalypse in Franz Hohler’s Der Neue Berg.-10 National Invective and Environmental Exploitation in Thomas Bernhard’s Frost.-11 German Film Ventures into the Amazon: From Fitzcarraldo to Fuck for Forest.-12 Assessing How We Assess Risk: KathrinRöggla’s Documentary Film The Mobile Future.- Writing After Nature: A Sebaldian Ecopoetics.-14 Telling the Story of Climate Change: The German Novel in the Anthropocene.-15 The Anthropocene in Contemporary German Ecothrillers
